Introduction
It's so frosty outside today I've had to resort to tea and crumpets to keep me on track. I've finally decided to draw Chapter 4 to a close. I was getting to the stage where I was definitely going into other places and well away from the subject of this chapter...but it's been fun and I've learnt a great deal, even being able to bring elements of colour wash into my own work in the form of mosaics!
In general before I start a project or chapter I tend to mentally plan things out and do preparatory sketches and notes. This chapter therefore started off as a bit of a challenge as colour washes are by nature done very quickly. I found I wasn't able to mix colours quite as I wanted and dots and daubs on the paper weren't to my liking. I discovered I really loved doing colour washes allowing the colours to run together. Spots I also enjoyed. Exercises with clingfilm were fantastic and I also tried out sprinkling salt fine grains and flakes, but by that stage I realised I was moving on somewhere quite different. I also tried out resists and really got a great deal out of this.
I worked with a variety of water soluble (?) paints including:
- Acrylics - I started off with these but didn't like the effect much. However undiluted acrylic and clingfilm was marvelous;
- Watercolours in tubes. Absolutely great and I started off by making a colour wheel or two for myself;
- Inks - This was the first time I've used inks and I really loved them. They have a beautiful jewel like clarity and mix sumptuously. I found that inks and clingfilm created a shiny surface;
- Caran D'ache Neocolours. I have been using these as my staple for colouring fabric for a couple of years and enjoyed them in this exercise but found they were not as useful as expected;
- Inktense sticks - beautiful colours but a little grainy with no luminosity.
- Graphitone pencils - I only just remembered getting these with a job lot of Derwent pencils. Very interesting and took me well off the path, and I'll definitely look into these further.
My Initial ideas about what might possibly be achieved - a little optimistic at best and off the remit probably
I only had access to white lightweight and heavier watercolour paper and some tissue. If you would like me to look in particular at certain kinds of paper I can order some and revisit as directed.
Please note some pictures are used twice as they overlapped some areas of study.
Working with primary colours
Yellow and Red watercolour
Blue and Red Watercolour
Secondary and Analogous Colours
These all got mixed up together I'm afraid
Black, blue brownGreens
Spots
With clingfilm
with Inks
On tissue paper
With Inktense
With Graphitone Colourwash
Absolutely going off in another direction by this stage.....
I don't know how many sheets I did .....
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