I worked over a long period on the second half of this chapter, and I still feel that I would love to do more drawings for it. I've taken old buildings in King's Lynn as a theme for this chapter and took the opportunity to consider plans for the final chapter in this module. I think it more than likely that pen and ink drawings will form the basis for my final book; whether I do a complete street view or do four sides of the same building and incorporate notes and other drawings on the reverse.
In doing the first half of this chapter I spent much time looking at different types of mark making for pen and ink drawings, but what I actually found was that in practice, given my style and buildings as a theme, that only a few were relevant. I did try to do some stippling, and I can see the value to it when inferring a line/edge but not drawing it, but I'm afraid I don't have the patience for this technique.
Thoresby College Door
There are some beautiful old doorways in the Lynn, and I've had my eye on this one for a while. I used 0.3 and 0.1 fine line pens for this drawing and a final colour wash. This was the simplest image I worked from and although it's possible this is the best drawing, the rest were considerably more challenging:
Barley Twist Column
Another beautiful doorway giving on to a little courtyard. A considerably bigger challenge than the first doorway. Although the left column did not work entirely and the proportions on that side are out slightly, I am not unhappy or ashamed of this study. It was worked in biro with watercolour felt tip pen:
Claire Gordon

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